[‘Abani, are you home’ by Shakti Chattopadhyay]
Kolkata is far from our village. You have to first walk nearly four kilometers through the fields. Despite many efforts, no roads have come to the village. Newly-wed brides have to enter the village on foot; the sick have to be carried to the hospital on cots like the dead to a crematorium. Even though our village is in the Hooghly district, it’s on its northern edge, bordering Bardhaman. As I was saying—see, this losing track of what I was talking about is a sign of my getting old—after walking the four kilometers, you’d better sit down at a teashop to catch your breath.
Next, you need to get onto a bus that’s usually so packed that even the roof is crammed with people and luggage. If you can somehow stay inside the bus by hanging onto an overhead rod for an hour and a half, you’ll reach Gudup station, and from there to Kolkata in another two hours.
But tell me, where do I find the time to visit Kolkata? A farmer’s life is a busy one. My day starts early. People like you who only eat chilies probably have no idea what it takes to cultivate them. Imagine harvesting all the peppers from the plants. This is a young man’s job. But if you hire someone like that, you need to pay him well. The price one gets for the chilies doesn’t cover the cost of labour. So we have to get young boys for the job. These days one hears a lot of hullabaloo against child labour; apparently, it amounts to exploiting children. But if I didn’t hire them, the boys would starve that day. On top of the wage, I also give them a basket of muri and lunch. Is that worse than them going a day without work and food? Can one get education on an empty stomach? I don’t know. The politicians in our village say a lot of big words like “literacy” and such.
I didn’t study much — didn’t get the opportunity. You see, I had to accompany my father to the fields since I was five years old. I know my soil well. By placing a mere fleck of soil on my tongue I can tell you what would grow on it. I’m familiar with hundreds of weeds and can tell at least 70 types of insects. Back in the day, when it would start raining at the end of Magh, I would go to the field in the middle of the night to get drenched. I can’t do that any longer — the womenfolk don’t allow me to. But I’m a farmer’s son. My father used to say that if the farmer doesn’t bathe in the season’s first rain, the field doesn’t absorb enough moisture to hold the plow. One doesn’t use the plow that much these days; power tillers rented by the hour do the job. Still it makes me sad to miss bathing in the season’s first showers.
My father didn’t know how to read or write. I was his eldest son and he enrolled me in a school. There was no school in the village at the time; I had to make my way to a school in Bishnubati eight kilometers away and couldn’t study beyond Class Four. I have only one son and three daughters. Against all odds, I made sure my son passed the matriculation examination. He didn’t leave me and go to the city to work, though. He lives with me and looks after the farm. I’m 78 and can’t work as hard anymore. I named him Sudeb. He too has made sure his eldest son got an education. My grandson studies in the college.
Our village doesn’t have any graduates yet; the neighbouring village of Sarelkhola has three. My grandson’s name is Ranajit Mandal; we call him Runu. I love him a lot. We won’t drag him into farming, I’ve decided. Let him go to the city and dab a new scent on his skin; let a new breeze blow in our house. School teachers earn well these days, maybe he can get a job like that? He’s into politics too, a smart youngster. I think he’ll do well.
Runu studies Bengali honours. Doesn’t just study, he also writes. Recently he gave me a magazine to read that he and his friends bring out. I’m not into reading that much, but I can manage to read a bit by joining the letters. My eyes aren’t as good as they used to be, either. Runu sometimes brings home friends from his group. Since he started college, I got a room built for him to the north of mine. That’s where the boys get together — I can hear them from my room.
The buzz of their discussions and heated debates delight me. We didn’t get to experience any of this, you see. They even held a meeting in our house once. One of their professors came with them, and after lunch, they all gathered in the area around our banyan tree, which I had got cemented. A lot of people from our village came to listen to them. Folks attending a literature meet in a farmer’s house — now isn’t that special? More power to my grandson, I say. I had gotten the area around the tree cemented after Sudeb’s birth. At the time, I also secretly gave his mother a pair of silver bangles; a good yield of pawtol (pointed gourd) helped that year.
At the end of their club’s meeting, Runu’s teacher — a young man, new to his job — gestured a namaskar to me and said my grandson writes well. Maybe he does, how can I tell?
Winter is taking its time to show up this year. Usually at this time of the year we need to wrap the blanket tighter in the mornings and cover our necks and heads with comforters. Labourers from the west light fires to keep warm. This year, there’s no sign of any of that and no frost so far. I didn’t sow a late autumnal crop of paddy but wonder what it must be like for those who did. It’ll be a low yield for sure and the grain won’t be of good quality.
(—from the landing stage of the pond at the back of the house where Shakti spent his early childhood.)
He left, but not before getting me hooked onto something. As the sun broke out that morning, I saw farmers making their way to the fields from my seat by the pond. The poem clasped me. I kept hearing in my ear the knock on the door, the rain that falls here all year long, the clouds that graze the skies like cows, the grass that hugs the door — there, by our kitchen, overgrown young grass has indeed closed up on the doors — nobody even noticed. A pain pierces my heart; the day my bawro boudi (elder brother’s wife) died — she loved me so much...
Someone, something calls me — I wake up in the dead of the night and sit on the bed — someone calls me and says, “Are you home, Abani?” “Brajen, are you home?” “Keep awake, Mandal, the night is forbidding; be ready, you’ll have to come with me, Brajen...”
(— the pond and the beyond, at the back of the house where Shakti spent his early childhood.)
অবনী বাড়ি আছো|
দুয়ার এঁটে ঘুমিয়ে আছে পাড়া
| Are you home, Abani|
The neighbourhood is asleep behind closed doors,
The photographs of the house ('Mrinal Kutir') and the pond at its back are by Rajib Chakraborty. Shakti spent his early childhood in this house at Baharu, West Bengal. Rajib is a member of the Parabaas team.